CAT. STP–010 Bloomsbury · new edition

03

ambience in the rock era

Psychedelia, the German scene, synthesizers and the individualists

the listening

66 entries · 420 records

joe meek

p201

the beatles

p201

bob dylan

p201

the beach boys

p201

jimi hendrix

p201

ravi shankar

p201

the velvet underground, nico and john cale

p201

simon & garfunkel

p201

the rolling stones

p201

marvin gaye and van morrison

p201

david bowie

p201

psychedelia

p238

the byrds

p238

love and the doors

p238

the west coast pop art experimental band

p238

neil young, buffalo springfield and crosby, stills & nash

p238

spirit

p238

tim buckley

p238

the grateful dead

p238

country joe and the fish

p238

h. p. lovecraft

p238

quicksilver messenger service

p238

the steve miller band

p238

santana

p238

folk ambience

p238

pink floyd

p288

keith emerson, king crimson, yes

p288

led zeppelin

p288

mike oldfield

p288

can

p308

faust

p308

neu!

p308

tangerine dream

p308

popol vuh

p308

roedelius, cluster, harmonia

p308

manuel göttsching and ash ra tempel

p308

kraftwerk

p308

klaus schulze

p308

holger czukay

p308

beaver & krause

p336

tonto’s expanding headband

p336

tim blake

p336

jean-michel jarre

p336

vangelis

p336

cabaret voltaire

p336

new order and joy division

p336

the durutti column

p336

colin newman

p336

the cocteau twins

p336

sonic youth

p336

dead can dance

p336

spacemen 3, sonic boom, spiritualized

p336

ennio morricone

p361

todd rundgren

p361

john mclaughlin

p361

robert fripp

p361

peter gabriel

p361

bill nelson

p361

laurie anderson

p361

ryuichi sakamoto

p361

seigen ono

p361

david sylvian

p361

michael brook

p361

U2

p361

daniel lanois

p361

enya

p361

the ambient century

An unofficial reader’s listening guide to The Ambient Century: From Mahler to Moby — The Evolution of Sound in the Electronic Age by Mark Prendergast (Bloomsbury, new edition), with an introduction by Brian Eno.

Every record here comes from one of the book’s own LISTENING sections. The chapters name a great many more in passing — who engineered what, who influenced whom — but those are reference points rather than recommendations, and the book is careful about the difference.

Labels and years are the book’s own, uncorrected. Links run YouTube searches, so they resolve in any country. Records belong to their artists and labels; the drawings here are original work in the jacket’s idiom.

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