- 01CavityCavity released its self-titled tape in 1992, following that with the Scalpel seven-inch a year later.from the chapter
- 02ScalpelCavity released its self-titled tape in 1992, following that with the Scalpel seven-inch a year later.from the chapter
- 03Human AbjectionCavity put out its first LP, Human Abjection, in 1995, which features drummer Jorge Alvarez, who plays on most of Cavity’s LPs.from the chapter
- 04CrawlingCavity unleashed the Crawling seven-inch the same year as Human Abjection, compiling songs from both releases, plus a few new ones, on 1996’s Drowning, which is basically three different EPs, recorded during different sessions, put together.from the chapter
- 05DrowningCavity unleashed the Crawling seven-inch the same year as Human Abjection, compiling songs from both releases, plus a few new ones, on 1996’s Drowning, which is basically three different EPs, recorded during different sessions, put together.from the chapter
- 06Somewhere Between the Train Station and the Dumping GroundsThat feel is the foundation for 1997’s Somewhere Between the Train Station and the Dumping Grounds, Cavity’s most blues-soaked record up to that point.from the chapter
- 07“Your Funeral, My Time”Sludgecore gets thrown around when it comes to classifying Cavity, and that’s most apt when applied to songs such as “Your Funeral, My Time.”from the chapter
- 08“One Last Broken”Taking cues from Noothgrush and Grief, tracks like “One Last Broken” seethe with agonized hopelessness.from the chapter
- 09Laid InsignificantAfter recruiting Juan Montoya (later of Torche) on guitar and Betty Monteavaro of Floor on drums, the band entered Morrisound Studios to record Laid Insignificant, which wouldn’t see light until 1999.from the chapter
- 10“9 Fingers on the Spider”Vitriolic hardcore sections in the title track, “9 Fingers on the Spider,” and “Spine I” are pushed by punker blasts, with Monteavaro inhabiting the spearhead of the beat.from the chapter
- 11“Spine I”Vitriolic hardcore sections in the title track, “9 Fingers on the Spider,” and “Spine I” are pushed by punker blasts, with Monteavaro inhabiting the spearhead of the beat.from the chapter
- 12Souls at Zero“I May Go” opens with somber instrumentation, similar to the uneasy soft sections of Neurosis’s Souls at Zero.from the chapter
- 13Between the Train StationThroughout the Between the Train Station… and Laid Insignificant years, Cavity never toned down its live shows.from the chapter
- 14SuperColliderCavity enlisted guitarist-vocalist Ryan Weinstein and Floor’s powerhouse drummer, Henry Wilson, to round out the lineup for SuperCollider.from the chapter
- 15“Willy Williams”Fifth cut “Willy Williams” utilizes that same tactic when it degenerates into a minutes-long squall.from the chapter
- 16“Pulling Up the Stakes”“Sung From a Goad” features a swaggering solo, and the switch between between half- and double-time within the same riff in “Pulling Up the Stakes” was used by every stoner rock group from the nineties.from the chapter
- 17“Leave Me Up”Seventh song “Leave Me Up” features Cavity’s most rib-crushing breakdown.from the chapter
- 18“I May Go”from Laid Insignificant“On the Lam” is the paint-huffing sibling of Laid Insignificant’s “I May Go” with its antagonistic linger.from the chapter
- 19SomewhereTime and again, On the Lam weds the aggravated punk spirit of Laid Insignificant with the swagger of Somewhere Between the Train Station and the Dumping Grounds, making it the perfect bookend for Cavity’s first life.from the chapter
- 20Between the Train Station and the Dumping GroundsTime and again, On the Lam weds the aggravated punk spirit of Laid Insignificant with the swagger of Somewhere Between the Train Station and the Dumping Grounds, making it the perfect bookend for Cavity’s first life.from the chapter
- 21After DeathWe did After Death with just me, Ed, and Rene. Ed did most of the drumming.from the chapter
- 22WraithIf After Death and 2019’s Wraith are any indicators, however, the band will continue to release music that refuses to be ignored.from the chapter