CHAPTER 02
Sabbath Phase I: Black Sabbath
Aston, Iommi’s fingertips and the riff that started it
12 works, in the order the book names them
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001/Film
Apocalypse Now
Francis Ford Coppola
If every example were to be compiled, the resulting mixtape would be longer than the director’s cut of Apocalypse Now and in certain places a darn sight more harrowing.
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002/Album/1994
Monster
REM
On their Monster album of 1969, Steppenwolf addressed America’s barefaced global immorality.
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003/Album/1970
Paranoid
Black Sabbath
The album became Paranoid.
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004/Album/1972
Vol. 4
Black Sabbath
‘People feel evil things, but nobody ever sings about what’s frightening and evil,’ said Butler when promoting 1972’s Vol. 4.
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005/Album/1971
Master of Reality
Black Sabbath
Reviewing 1971’s Master of Reality, he wrote, ‘Black Sabbath grind out riff after riff after unrelenting riff; even the guitar leads are riffs, and there isn’t one excessive uncalled-for guitar lead on their whole new album.’ As if Sabbath’s sound wasn’t heavy enough in the first place, it was on this third LP that Iommi began to downtune his guitar, the looser strings making it even easier for him to play.
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006/Film/1964
Dr Strangelove; or, How I Learned to Stop Worrying and Love the Bomb
Stanley Kubrick
The ‘physical act of making love’, as General Ripper puts it in Stanley Kubrick’s Dr Strangelove; or, How I Learned to Stop Worrying and Love the Bomb (1964), was followed by a ‘profound sense of fatigue, a feeling of emptiness’.
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007/Album
White Album
The Beatles
If reviewers of The Beatles’ White Album couldn’t quite fathom how to categorize the unkempt sound of ‘Helter Skelter’, critics had an even harder time figuring out what to do with Black Sabbath.
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008/Album/1976
Technical Ecstasy
Black Sabbath
Although actually quite fun to listen to if you don’t take the material too seriously, 1976’s Technical Ecstasy and 1978’s Never Say Die! do seem lacklustre, plagued as they were by indecision and a lack of focus.
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009/Album/1978
Never Say Die!
Black Sabbath
Although actually quite fun to listen to if you don’t take the material too seriously, 1976’s Technical Ecstasy and 1978’s Never Say Die! do seem lacklustre, plagued as they were by indecision and a lack of focus.
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010/Album/1973
Sabbath Bloody Sabbath
Black Sabbath
After purchasing The Clash’s debut album, the next record on his shopping list was 1973’s Sabbath Bloody Sabbath.
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011/Album/2017
New Facts Emerge
The Fall
Steve Pringle, author of the highly recommended Fall-based blogs The Fall in Fives and You Must Get Them All, believes that particular Fall track must have been left on the cutting-room floor, although he points out to me that ‘Fol De Rol’ from the band’s final album, New Facts Emerge (2017), shamelessly pinches its main riff from Sabbath’s ‘Zero the Hero’.
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012/Album/2013
Re-Mit
The Fall
When promoting 2013’s Re-Mit, an album with which he hoped to ‘terrify people’, Smith declared, ‘I want my music to be as punchy and aggressive as Black Sabbath.
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Nothing matches
No work in this chapter carries that word. Clear the filter to bring back all 12.