Chapter Eight
The Future Sound of Detroit
42 records, in the order the book names them
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001
Sonic EP
Underground Resistance
After debuting with a vocal house track featuring chanteuse Yolanda, Underground Resistance released the ‘Sonic EP’.
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002
Predator
Shimon
Tracks like ‘Predator’ and ‘Elimination’ resemble target-seeking missiles, remorseless and implacable killing machines.
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003
Elimination
Underground Resistance
Tracks like ‘Predator’ and ‘Elimination’ resemble target-seeking missiles, remorseless and implacable killing machines.
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004
Waveform EP
Underground Resistance
After the malignant-sounding ‘Waveform EP’ and ‘Gamma-Ray’, Underground Resistance upped the ante with a series of insurrectionary 1991 releases.
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005
Riot EP
Underground Resistance
On the label of the ‘Riot EP’, the ‘I’ in ‘RIOT’ is a drawing of a masked and sunglass-wearing UR trooper dressed in black, resembling a PLO hijacker.
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006
Fuel For The Fire
Underground Resistance
What Underground Resistance seem to herald on ‘Riot’ and its sister 12-inch ‘Fuel For The Fire’ is a kind of Dionysian politics, a cult of orgiastic, unconstructive anger.
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007
Sonic Destroyer
X-101
After ‘Fuel For The Fire’ (a 12-inch which formed a double-pack with ‘Riot’) UR released ‘Sonic Destroyer’ under the alter-ego X-101.
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008
Fury
Underground Resistance
‘Fury’ is similar to T99’s ‘Belgian hoover’ classic ‘Anasthasia’, heavy me(n)tal techno with Carmina Burana-like choral stabs.
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009
Anasthasia
T99
‘Fury’ is similar to T99’s ‘Belgian hoover’ classic ‘Anasthasia’, heavy me(n)tal techno with Carmina Burana-like choral stabs.
Who's That Beat/XLtrack Open ↗ YouTube -
010
Revolution For Change
Underground Resistance
The only difference is that the fuel for UR’s (f)ire isn’t amphetamine psychosis but their peculiar brand of non-specific belligerence (hence the vague album title Revolution For Change).
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011
The Force
Underground Resistance
This time the slogan carved into the vinyl is ‘Unit Deathstar Mission – Eliminate Anti-Underground Forces’, making explicit the Star Wars-derived allegory of UR as Jedi Knights resisting the Evil Empire of the music industry; UR as gnostic warrior-priests who can channel ‘The Force’ (as one of the B-side tracks is titled).
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012
Belgian Resistance
World Power Alliance
Last in the series was Hood’s ‘Belgian Resistance’.
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013
The Bubble Metropolis
Drexciya
Underground Resistance the label wasn’t just an outlet for Banks’, Mills’ and Hood’s collective output as UR. They also released tracks by other second-wave Detroit artists, such as Drexciya (the sub-oceanic science fiction of EPs like ‘The Aquatic Invasion’ and ‘The Bubble Metropolis’), Scan 7 and Suburban Knight, aka James Pennington.
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014
Big Fun
Inner City
Born in 1965, Pennington was actually a first-wave Detroit techno producer; a room mate of Kevin Saunderson’s, he’d contributed to Inner City’s ‘Big Fun’, and his first two Suburban Knight singles came out on Derrick May’s Transmat label.
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015
The Art of Stalking
Suburban Knight
Recorded in the mid-eighties but released only in 1990, Pennington’s second release via Transmat – ‘The Art of Stalking’ – launched him on an obsession that runs through all his Underground Resistance work: nocturnal predators.
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016
By Night
(with Mad Mike)
Specifically, Pennington was inspired by the way the bat evolved radar to achieve an evolutionary edge, a topic he returned to with 1996’s ‘Echo Location’ (on the ‘By Night’ EP).
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017
X-102 Discovers The Rings of Saturn
X-101
With the album X-102 Discovers The Rings of Saturn (1992), the trio left behind terrestial alienation for alien realms.
Tresoralbum Open ↗ YouTube -
018
Atlantis
LTJ Bukem remix of Apollo Two
For the next instalment in the series, X-103, Mills and Co turned from one Sun Ra obsession (Saturn) to another: Atlantis.
both Good Lookingtrack Open ↗ YouTube -
019
Technarchy
Cybersonik
When the track became more widely available in late 1990, ‘Technarchy’ by Cybersonik (Hawtin, Aquaviva and their mate Dan Bell) became a huge anthem in the European rave scene.
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020
Vortex
Final Exposure
‘Vortex’ by Final Exposure (a collaboration between Hawtin and Joey Beltram and Mundo Muzique of Second Phase/‘Mentasm’ fame) is like being sucked up inside a cyclone composed of African killer-bees.
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021
Overkill
Circuit Breaker
+8’s headlong escalation to harder-faster extremities peaked in early 1992 with Circuit Breaker’s ‘Overkill’ / ‘Frenz-E’ and Cybersonik’s ‘Thrash’.
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022
Thrash
Cybersonik
+8’s headlong escalation to harder-faster extremities peaked in early 1992 with Circuit Breaker’s ‘Overkill’ / ‘Frenz-E’ and Cybersonik’s ‘Thrash’.
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023
Sheet One
Plastikman
Plastikman’s 1993 debut album Sheet One was one long paean to the synergy of 303’s and LSD. Tracks like ‘Plasticine’ offer a kind of monochrome, sensory-deprivation version of psychedelia.
+8/Warpalbum Open ↗ YouTube -
024
Berlin – Detroit: A Techno Alliance
Tronikhouse
Tresor subtitled their second compilation: Berlin – Detroit: A Techno Alliance.
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025
Frontal Sickness
Mescalinum United
Underground Resistance were particularly influential on the Frankfurt labels Force Inc and PCP. Citing ‘The Art of Stalking’ as his favourite track of all time, PCP’s The Mover offered a Teutonic take on Suburban Knight’s creepy, crepuscular sound – tracks like ‘Nightflight (Non-Stop To Kaos)’, post-apocalyptic EPs like ‘Frontal Sickness’ and ‘Final Sickness’, and a 12 inch on R & Sreleased under the very UR-like alter-ego Spiritual Combat.
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026
Final Sickness
Mescalinum United
Underground Resistance were particularly influential on the Frankfurt labels Force Inc and PCP. Citing ‘The Art of Stalking’ as his favourite track of all time, PCP’s The Mover offered a Teutonic take on Suburban Knight’s creepy, crepuscular sound – tracks like ‘Nightflight (Non-Stop To Kaos)’, post-apocalyptic EPs like ‘Frontal Sickness’ and ‘Final Sickness’, and a 12 inch on R & Sreleased under the very UR-like alter-ego Spiritual Combat.
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027
Strings of Life
Derrick May
Falling under May’s tutelage, he toured Europe as a member of Rythim Is Rythim, worked on the 1989 remix of ‘Strings of Life’, and in 1991 co-wrote the sublime ‘Kao-Tic Harmony’ (which was released as the flipside of Derrick May’s only nineties release to date, ‘Icon’).
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028
Kao-Tic Harmony
Rhythim Is Rhythim
Falling under May’s tutelage, he toured Europe as a member of Rythim Is Rythim, worked on the 1989 remix of ‘Strings of Life’, and in 1991 co-wrote the sublime ‘Kao-Tic Harmony’ (which was released as the flipside of Derrick May’s only nineties release to date, ‘Icon’).
Transmat/Zombatrack Open ↗ YouTube -
029
Icon
Rhythim Is Rhythim
Falling under May’s tutelage, he toured Europe as a member of Rythim Is Rythim, worked on the 1989 remix of ‘Strings of Life’, and in 1991 co-wrote the sublime ‘Kao-Tic Harmony’ (which was released as the flipside of Derrick May’s only nineties release to date, ‘Icon’).
Transmat/Zombatrack Open ↗ YouTube -
030
Galaxy
Underground Resistance
On BFC’s ‘Galaxy’, the glowing synth-pulse really sounds like the spermazoic spangle of the Milky Way; on ‘Evolution’, the whispery treated breakbeat is a rustle that makes your brain itch, rather than your feet twitch.
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031
Evolution
Orbital
On BFC’s ‘Galaxy’, the glowing synth-pulse really sounds like the spermazoic spangle of the Milky Way; on ‘Evolution’, the whispery treated breakbeat is a rustle that makes your brain itch, rather than your feet twitch.
Evolution/Warpalbum Open ↗ YouTube -
032
Desire
Dica & DJ Big Vern
Journalist Tony Marcus’s verdict on the Six Nine track ‘Desire’ – closer to ‘an emotion bomb than a dance record’ – applies to most of Craig’s work.
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033
At Les
Carl Craig
As with the May/Craig collaboration ‘Kao-Tic Harmony’, ‘Desire’ features a keening synth melody that soars up and slides down the octave in fitful lurches; it feels like a kite, whose strings are attached to your heart, being tugged and buffeted by the wind. 1993’s ‘At Les’ – released under Carl’s own name – is even more moistly melancholy.
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034
More Songs About Food and Revolutionary Art
Carl Craig
Like a couple of other early Craig classics, the song reappeared on his 1997 album More Songs About Food and Revolutionary Art.
Planet Ealbum Open ↗ YouTube -
035
Jupiter Jazz
Underground Resistance
On the ‘Galaxy 2 Galaxy’ double-EP, Banks abandoned juggernaut industrialism for a rhapsodic fusion-tinged sound (‘Hi-Tech Jazz’, as the opening track put it), hints of which had been heard in earlier UR classics like ‘Eye of the Storm’ and ‘Jupiter Jazz’.
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036
Waveform Transmission
Jeff Mills
Mills and Hood, meanwhile, were developing their enormously influential brand of minimalist techno with the Waveform Transmission album series. 1993’s Vol. 2 – recorded by Hood as The Vision – proclaimed: ‘This release is dedicated to the form of simplicity the reasoning of vision.’ Hood’s 1994 double-pack ‘Minimal Nation’ and Internal Empire album offered the aural equivalent of a bread-and-water regime.
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037
Vol. 2
DJs Unite
Mills and Hood, meanwhile, were developing their enormously influential brand of minimalist techno with the Waveform Transmission album series. 1993’s Vol. 2 – recorded by Hood as The Vision – proclaimed: ‘This release is dedicated to the form of simplicity the reasoning of vision.’ Hood’s 1994 double-pack ‘Minimal Nation’ and Internal Empire album offered the aural equivalent of a bread-and-water regime.
Rogue Trooper/Death Becomes Mealbum Open ↗ YouTube -
038
Internal Empire
Robert Hood
Mills and Hood, meanwhile, were developing their enormously influential brand of minimalist techno with the Waveform Transmission album series. 1993’s Vol. 2 – recorded by Hood as The Vision – proclaimed: ‘This release is dedicated to the form of simplicity the reasoning of vision.’ Hood’s 1994 double-pack ‘Minimal Nation’ and Internal Empire album offered the aural equivalent of a bread-and-water regime.
Tresoralbum Open ↗ YouTube -
039
Cycle 30
Jeff Mills
‘Cycle 30’, for instance, took the vinyl-innovations of UR to the furthest degree: the release consisted of nine locked grooves, five second riffs and beat-loops that were designed for DJs to use as mixing material.
Purpose Makertrack Open ↗ YouTube -
040
True People
Tronikhouse
Many of these producers were corralled on to a 1996 double CD compiled by Eddie ‘Flashin’ ’ Fowlkes, which he titled True People as a stinging rebuke to the rest of the world for daring to tamper with the Detroit blueprint.
Reactalbum Open ↗ YouTube -
041
Uptempo
Tronikhouse
For instance, Kevin Saunderson (the most impurist of the Belleville Three – he even put out great hardcore tracks in 1992 like ‘Uptempo’ and ‘Mental Techno’, using the alter-ego Tronikhouse) has inspired some exciting records, like Dave Clarke’s ‘Red’ series.
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042
Mental Techno
Tronikhouse
For instance, Kevin Saunderson (the most impurist of the Belleville Three – he even put out great hardcore tracks in 1992 like ‘Uptempo’ and ‘Mental Techno’, using the alter-ego Tronikhouse) has inspired some exciting records, like Dave Clarke’s ‘Red’ series.
track Open ↗ YouTube
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