- 01Only The BeginningUnique 3It was a copy of their debut single, the self-pressed double A-side containing “Only The Beginning” and “The Theme”.from the chapter
- 02The ThemeUnique 3It was a copy of their debut single, the self-pressed double A-side containing “Only The Beginning” and “The Theme”.from the chapteralso in the bleepography
- 03Voodoo RayA Guy Called GeraldOne of their first investments was a Roland SH-101 synthesizer, a small but perfectly formed piece of equipment that played a key role in the making of A Guy Called Gerald’s “Voodoo Ray”.from the chapteralso in the bleepography
- 04Stating A FactNightmares On WaxThe first finished track they were happy with was a Hip-Hop cut called “Stating A Fact”, a chunky, dancefloor-friendly affair to which 18-year-old Evelyn later added rap vocals with the assistance of Age of Chance member Steve Eldrige.8 Next was their first House track, “Let It Roll”, a fuzzy and forthright affair that borrowed heavily from Big Daddy Kane’s recently released “Set It Off” single…from the chapter
- 05Let It RollNightmares On Wax…a Hip-Hop cut called “Stating A Fact”, a chunky, dancefloor-friendly affair to which 18-year-old Evelyn later added rap vocals with the assistance of Age of Chance member Steve Eldrige.8 Next was their first House track, “Let It Roll”, a fuzzy and forthright affair that borrowed heavily from Big Daddy Kane’s recently released “Set It Off” single and Doug Lazy’s Hip-House jam of the same name.from the chapteralso in the bleepography
- 06Set It OffBig Daddy Kane…a Hip-Hop cut called “Stating A Fact”, a chunky, dancefloor-friendly affair to which 18-year-old Evelyn later added rap vocals with the assistance of Age of Chance member Steve Eldrige.8 Next was their first House track, “Let It Roll”, a fuzzy and forthright affair that borrowed heavily from Big Daddy Kane’s recently released “Set It Off” single and Doug Lazy’s Hip-House jam of the same name.from the chapteralso in the bleepography
- 07DextrousNightmares On WaxEvelyn and Harper called the track “Dextrous” and quickly debuted it off cassette at Downbeat.from the chapteralso in the bleepography
- 08Track With No NameForgemastersAfter launching Warp Records at the tail end of the summer with Forgemasters’ “Track With No Name”, he needed new material.from the chapteralso in the bleepography
- 09AftermathNightmares On WaxIt took “seven or eight mixes” to get the track right, and when it was finally sent off to the pressing plant, the lacquer cut got damaged on the way. The track’s title, “Aftermath” was strangely fitting.from the chapter
- 10Happiness Is Just Around The BendCuba GoodingThis soundsystem wobbler also boasted a headline-grabbing vocal sample (lifted from Cuba Gooding Jr’s early NYC House classic “Happiness Is Just Around The Bend”) that added a decidedly human touch, something rarely seen previously in the sparse, heavy and musically militant world of Bleep & Bass.from the chapteralso in the bleepography
- 11A Case of FunkNightmares On WaxIronically, when Evelyn and Harper did deliberately move further towards Techno territory on 1991 EP “A Case of Funk” - a taster for their willfully eclectic debut album, “A Word of Science” - the reception from DJs and dancers was not what they expected. ‘I think “A Case Of Funk” and “Biofeedback” went over people’s heads a bit,’ Evelyn says. ‘We weren’t really up on the Techno thing, but that…from the chapter
- 12A Word of ScienceNightmares On WaxIronically, when Evelyn and Harper did deliberately move further towards Techno territory on 1991 EP “A Case of Funk” - a taster for their willfully eclectic debut album, “A Word of Science” - the reception from DJs and dancers was not what they expected. ‘I think “A Case Of Funk” and “Biofeedback” went over people’s heads a bit,’ Evelyn says. ‘We weren’t really up on the Techno thing, but that…from the chapter
- 13BiofeedbackNightmares On Wax…further towards Techno territory on 1991 EP “A Case of Funk” - a taster for their willfully eclectic debut album, “A Word of Science” - the reception from DJs and dancers was not what they expected. ‘I think “A Case Of Funk” and “Biofeedback” went over people’s heads a bit,’ Evelyn says. ‘We weren’t really up on the Techno thing, but that was the most Techno thing we did, without knowing it.’15from the chapter
- 14Jus’ UniqueUnique 3Like Unique 3’s “Jus’ Unique”, the album mixed typically weighty Yorkshire House and Techno sounds with Hip-Hop cuts and tracks shot through with audible nods to their Electro and Jazz-Funk heritage.from the chapter
- 15Set Me FreeNightmares On Wax1992 singles “Set Me Free” and “Happiness” are uncharacteristically breezy, upbeat and soulful.from the chapteralso in the bleepography
- 16HappinessNightmares On Wax1992 singles “Set Me Free” and “Happiness” are uncharacteristically breezy, upbeat and soulful.from the chapteralso in the bleepography
- 17I’m For RealNightmares On WaxThe influence of Dub was even more obvious in the drum programming, foreboding bassline and alien bleeps of the single’s similarly heavy flipside, “I’m For Real”.from the chapter