THE TRUE CREATORS

• 01LFOLFOWarp Records/Outer Rhythm · 1990When I dropped “LFO” for the first time in 1990, 25% of the people in the club rushed up to the decks to ask about it.from the chapteralso in the bleepography
• 02The ThemeUnique 310 Records · 1989They stuck on “The Theme”, and the hairs on the back of my neck and arms went up.’from the chapteralso in the bleepography
• 03WigginRhythim Is Rhythimor, to be more precise, a bassline that alternated between a “high” motif - inspired by Rhythim is Rhythim’s Detroit Techno slammer “Wiggin”, which featured on the B-side of the 1988 UK reissue of “Nude Photo” - and the lowest, weightiest sub-bass tone they could find.from the chapter
• 04Nude PhotoRhythim Is RhythimTransmat · 1987or, to be more precise, a bassline that alternated between a “high” motif - inspired by Rhythim is Rhythim’s Detroit Techno slammer “Wiggin”, which featured on the B-side of the 1988 UK reissue of “Nude Photo” - and the lowest, weightiest sub-bass tone they could find.from the chapteralso in the bleepography
• 05Track 4LFOBacked by the similarly heavyweight “Track 4” and “Probe (Cuba Edit)”, the record simply flew off the shelves.from the chapter
• 06Probe (Cuba Edit)LFOBacked by the similarly heavyweight “Track 4” and “Probe (Cuba Edit)”, the record simply flew off the shelves.from the chapter
• 07Out of ControlMind of KaneThere was Mind of Kane’s “Out of Control”, a record so similar that LFO could arguably have gone after them for copyright infringement, Fantasy UFO’s “Fantasy Rushour”, and a spate of cuts that used similarly sparse and robotic “speak and spell” vocals in some way (see T.T.O’s “T.T.O” and D-M-S’s “Brand New World”, for starters).from the chapter
• 08Fantasy RushourFantasy UFOThere was Mind of Kane’s “Out of Control”, a record so similar that LFO could arguably have gone after them for copyright infringement, Fantasy UFO’s “Fantasy Rushour”, and a spate of cuts that used similarly sparse and robotic “speak and spell” vocals in some way (see T.T.O’s “T.T.O” and D-M-S’s “Brand New World”, for starters).from the chapter
• 09T.T.OTurntable OverloadMade On Earth · 1990There was Mind of Kane’s “Out of Control”, a record so similar that LFO could arguably have gone after them for copyright infringement, Fantasy UFO’s “Fantasy Rushour”, and a spate of cuts that used similarly sparse and robotic “speak and spell” vocals in some way (see T.T.O’s “T.T.O” and D-M-S’s “Brand New World”, for starters).from the chapteralso in the bleepography
• 10Brand New WorldD-M-SProduction House · 1990There was Mind of Kane’s “Out of Control”, a record so similar that LFO could arguably have gone after them for copyright infringement, Fantasy UFO’s “Fantasy Rushour”, and a spate of cuts that used similarly sparse and robotic “speak and spell” vocals in some way (see T.T.O’s “T.T.O” and D-M-S’s “Brand New World”, for starters).from the chapteralso in the bleepography
• 11The AtticLhasaMusic Man Records · 1990Even more featured booming sub-basslines and sci-fi chords courtesy of the Kawai K1, such as “The Attic” by Belgian producer Lhasa.from the chapteralso in the bleepography