- 01We Are BackLFO‘There are many imitators, but we are the true creators.’ LFO ‘We Are Back’, 1991from the chapteralso in the bleepography
- 02PressureAbility IIOut of the venue’s sizeable sound system comes the distinctive futurist shimmer of Ability II’s celebrated early UK Techno anthem, “Pressure”.from the chapter
- 03The ThemeUnique 3Fittingly, it’s not long before Hazel unleashes the record that first drew up the Bleep blueprint, Unique 3’s “The Theme”.from the chapteralso in the bleepography
- 04Voodoo RayA Guy Called GeraldRaw, minimal and blessed with unspeakably weighty sub-bass, it remains a landmark record: a track equal in significance to A Guy Called Gerald’s near peerless “Voodoo Ray”, which had been released six months before it in June 1988.from the chapteralso in the bleepography
- 05Track With No NameForgemastersThere’s Forgemasters’ ghostly and intoxicating “Track With No Name”, a record Hazel wrote and produced with his friends Robert Gordon and Sean Maher in early 1989, Nightmares On Wax’s “I’m For Real” and “Aftermath”, and the commercial and critical high point of Bleep, LFO’s sublime “LFO”.from the chapteralso in the bleepography
- 06I’m For RealNightmares On WaxThere’s Forgemasters’ ghostly and intoxicating “Track With No Name”, a record Hazel wrote and produced with his friends Robert Gordon and Sean Maher in early 1989, Nightmares On Wax’s “I’m For Real” and “Aftermath”, and the commercial and critical high point of Bleep, LFO’s sublime “LFO”.from the chapter
- 07AftermathNightmares On WaxThere’s Forgemasters’ ghostly and intoxicating “Track With No Name”, a record Hazel wrote and produced with his friends Robert Gordon and Sean Maher in early 1989, Nightmares On Wax’s “I’m For Real” and “Aftermath”, and the commercial and critical high point of Bleep, LFO’s sublime “LFO”.from the chapter
- 08LFOLFOThere’s Forgemasters’ ghostly and intoxicating “Track With No Name”, a record Hazel wrote and produced with his friends Robert Gordon and Sean Maher in early 1989, Nightmares On Wax’s “I’m For Real” and “Aftermath”, and the commercial and critical high point of Bleep, LFO’s sublime “LFO”.from the chapteralso in the bleepography