Chapter One
Memory
sound and evocation; Muzak, ambience and aethereal culture; Brian Eno and perfume; Bali, Java, Debussy
Ocean of Sound · David Toop
6 entries
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001
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Eno, Brian
Neroli
All SaintsAlso, he released Neroli (Thinking Music Part IV), an austere album even by Eno standards.
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002
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Soundtrack composed by Ryuichi Sakamoto
Merry Christmas Mr Lawrence
VirginA sound akin to Javanese and Balinese gamelan filtered through dense layers of contemporary sources suffuses feature-film scores such as Ryuichi Sakamoto’s Merry Christmas Mr Lawrence, Maurice Jarre’s The Year of Living Dangerously and Shoji Yamashiro’s Akira.
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003
Open ↗ YouTube
Soundtrack by Yamashiro Shoji
Akira
DemonA sound akin to Javanese and Balinese gamelan filtered through dense layers of contemporary sources suffuses feature-film scores such as Ryuichi Sakamoto’s Merry Christmas Mr Lawrence, Maurice Jarre’s The Year of Living Dangerously and Shoji Yamashiro’s Akira.
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004
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Mitchell, Roscoe
Sound
DelmarkAside from the sound of the music – a fractal vibration of harmonics which contains immeasurable variety – the transmission of the music introduced to European culture the idea of performance as a kind of ambience.
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005
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Debussy, Claude
La mer
CBSSurely this background detail was unknown in 1889, yet how significant it turned out to be for Debussy, who composed liquid works such La mer, Reflets dans l’eau, Jardins sous la pluie and Poissons d’or only a few years after his experience at the exposition.
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006
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Debussy, Claude
Prélude à l’après-midi d’un faune/Jeux/Nocturnes
CBS/OdysseyDebussy’s reverie was realised in his gorgeous Prélude à l’après-midi d’un faune and Syrinx, a flute solo composed in 1913 which depicted Pan justifiably lamenting the transformation of his nymph lover into an aeolian reed flute.
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