32 records
on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
King · 1970on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
King · 1970on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
King · 1970on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
Elektra · 1970on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
Motown · 1965on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
Atlantic · 1967on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
Tamla · 1968on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
Enterprise · 1969on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
Soul · 1969on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
Atlantic · 1968on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
Motown · 1970on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
Motown · 1970on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
King · 1969on the select discography for Haven 1970, chosen by Michael Cappello, Steve D’Acquisto, Francis Grasso
Tamla · 1970It was the first time high society mixed with street people.” D’Acquisto—whose biggest record was Marvin Gaye’s “What’s Going On”—proved to be a more than adequate DJ, even though he had to work inside an enclosed booth.Tamla · 1971
on the select discography for Tamburlaine 1971, chosen by Steve D’Acquisto
Stax · 1971on the select discography for Tamburlaine 1971, chosen by Steve D’Acquisto
BrownStone · 1971[…] DJ with piercing light blue eyes, provided the music and homed in on records such as Area Code 615’s “Stone Fox Chase,” “I’ll Take You There” by the Staple Singers, the Glass House’s “I Can’t Be You (You Can’t Be Me),” and the quasi-autobiographical “Black Skinned Blue Eyed Boys” by the Equals.
on the select discography for Tamburlaine 1971, chosen by Steve D’Acquisto
President · 1970It was the first time high society mixed with street people.” D’Acquisto—whose biggest record was Marvin Gaye’s “What’s Going On”—proved to be a more than adequate DJ, even though he had to work inside an enclosed booth.
on the select discography for Tamburlaine 1971, chosen by Steve D’Acquisto
Tamla · 1971on the select discography for Tamburlaine 1971, chosen by Steve D’Acquisto
Hi · 1971on the select discography for Tamburlaine 1971, chosen by Steve D’Acquisto
T-Neck · 1970on the select discography for Tamburlaine 1971, chosen by Steve D’Acquisto
Curtom · 1971on the select discography for Tamburlaine 1971, chosen by Steve D’Acquisto
MGM · 1970on the select discography for Tamburlaine 1971, chosen by Steve D’Acquisto
Atlantic · 1971on the select discography for Tamburlaine 1971, chosen by Steve D’Acquisto
Motown · 1970on the select discography for Tamburlaine 1971, chosen by Steve D’Acquisto
RCA · 1971[…] hire you!” Guttadaro immediately dispelled any doubts about his ability when he became the first spinner to home in on “Theme from Shaft” by Isaac Hayes, although his colleagues were still left with the problem of what to call him given that there were already three other Bobbys at the Ice Palace.Enterprise · 1971
Every week he would make a trip to his home in Brooklyn and spend hours picking out stuff for that weekend, including some surprises.” Guttadaro pushed gospel songs like “Rain” by Dorothy Morrison, and he would also regularly drop in a Carmen Miranda number from the 1940s.Elektra · 1971
[…] DJ with piercing light blue eyes, provided the music and homed in on records such as Area Code 615’s “Stone Fox Chase,” “I’ll Take You There” by the Staple Singers, the Glass House’s “I Can’t Be You (You Can’t Be Me),” and the quasi-autobiographical “Black Skinned Blue Eyed Boys” by the Equals.Polydor · 1970
[…] DJ with piercing light blue eyes, provided the music and homed in on records such as Area Code 615’s “Stone Fox Chase,” “I’ll Take You There” by the Staple Singers, the Glass House’s “I Can’t Be You (You Can’t Be Me),” and the quasi-autobiographical “Black Skinned Blue Eyed Boys” by the Equals.Stax · 1972
[…] DJ with piercing light blue eyes, provided the music and homed in on records such as Area Code 615’s “Stone Fox Chase,” “I’ll Take You There” by the Staple Singers, the Glass House’s “I Can’t Be You (You Can’t Be Me),” and the quasi-autobiographical “Black Skinned Blue Eyed Boys” by the Equals.Invictus · 1970
[…] DJ with piercing light blue eyes, provided the music and homed in on records such as Area Code 615’s “Stone Fox Chase,” “I’ll Take You There” by the Staple Singers, the Glass House’s “I Can’t Be You (You Can’t Be Me),” and the quasi-autobiographical “Black Skinned Blue Eyed Boys” by the Equals.President · 1970
Nothing here carries that word.