Every record the book’s own discography lists. In the order the story names them. Each one carries the sentence that puts it in the argument, set exactly as printed.
532 of the discography’s 590 entries are named inside a numbered chapter. The remaining 34 appear only in the introduction, the epilogue or the notes, or under a form of words the chapters do not use — a remix credit, a parenthetical the running text drops.
The chapters follow the book: where Lawrence prints a club’s select discography, that running order is the order here, and a record on two of a chapter’s lists appears in both — which is why there are more appearances than records.